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"frankenstein for the twitter age..." john higgs

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NOVELTY WAVES

A short book about digital art

by Matt Pearson

foreword by Jeff Noon



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DRM-free ePub, Kindle and PDF versions are published through Leanpub. Also available (fixed price) from amazon.com, amazon.co.uk, etc...


[* apologies, since publication the LeanPub platform has introduced a minimum price of $4.99]


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Novelty Waves book cover


NOVELTY WAVES REMIXED

coherence:     topic drift:    

"It is only the very poorest for whom it can be the light we shine on the sake of money, or other bad fictions. Make good art and we make good societies. So go, get off your arse and make some art. And make it can be the light we shine on the sake of money, or."

There are more complex definitions of art of course. Commercial works can sometimes hasn’t worked so well. The data dump from the same gutter, and make some art. And anyone with half an internet built on open source principles, much to them, writing as I can give you that is, genuinely, novel. The primary applications won’t be.

An interesting feature of an internet built on open source principles, much to lead. Or it can point and laugh at and ridicule into obscurity. We make art for the sake of money, you mean?” said Marek. “Yes, yes, like money. Exactly. Money requires a principle worth fighting for. This is what we, as artists (we’re all?

Interaction designers also have to lead. Or it can learn to code (if they want to). And anyone with half an internet built on open source. There’s already shit and finish off that is, genuinely, novel. The conversations were ranked and make some art. And anyone with half an internet built on open source principles, much to.

Only we were to blame for believing it and make some art. And anyone with half an internet built on open source principles, much to lead. Or it can point and laugh at and ridicule into obscurity. We make art for the sake of money, or fame, or other bad fictions. Make good societies. So go, get.

It gave me an excuse to experiment with a principle worth fighting for. This is what we, as artists (we’re all the things I care not if it allows us to update our uncertain future, equally applicable for good or evil manipulation, depending on whose hands are driving it. Digital art is the sake of money, or?


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